Other members including Lopez have also been previously accused of homophobia and many drew flack during the peak of the COVID-19 pandemic. For example, former Hype House Tony Lopez was accused of sending sexually explicit photos and messages to an underage girl and soon after was sued by two teenage girls for sexual battery and emotional distress, along with accusing two founders, Chase Hudson and Thomas Petrou, of negligence. Many believe that the members do not need or deserve a bigger platform due to the numerous controversies that have surrounded the very people the show will be spotlighting. Netflix's future with shows that star and highlight LGBTQ+ characters, their relationships, and experiences are unknown, but the cancellation of First Kill and many that came before it prove that Netflix has an LGBTQ+ problem and it needs solving.In late April, Netflix announced they would be airing and producing a reality series focused on the controversial and headline-grabbing collective of TikTok stars known as ‘The Hype House’, a decision that quickly came under fire and created outrage from Netflix subscribers and users. Ola and Lily from Sex Education were also featured/side characters, but will not even be returning for the show's upcoming fourth season. While female LGBTQ+ characters can be found in other successful Netflix originals, such as lesbian Robin Buckley in Stranger Things and Maxine from Ginny & Georgia, they are featured/side characters. Viewers have also pointed out that there are potential added layers to First Kill's cancellation as it featured a Black lesbian in one of the leading roles, creating a potential intersection of discrimination. A petition to renew the show already has almost 6,000 signatures and #CancelNetflix trended globally alongside #RenewFirstKill on Twitter following the cancellation news. Due to this history of cancellation after one season that also includes I Am Not Okay With This and Everything Sucks!, community members have gone as far as to call Netflix lesbophobic and claim that First Kill never stood a chance. Netflix's list of prematurely canceled shows is a long one, and shows revolving around sapphic characters have not fared well on the platform, even with perceived streaming success. It highlights a recurring issue with Netflix and its original TV shows, especially featuring women and girls in the LGBTQ+ community. would eventually be promoted, and that didn't happen," Henderson said. monster hunters, the battle between two powerful matriachs, etc. "I think I expected that to be the beginning and that the other equally compelling and important elements of the show - monsters vs. Henderson argued that the show's marketing was too reductive, focusing almost exclusively on the relationship between Calliope and Juliette when there was so much more to the story to highlight. Due to this following, many had hoped for a second season, but following the cancellation, First Kill showrunner Felicia D. After a string of one-season cancellations with leading LGBTQ female characters from Gypsy to Teenage Bounty Hunters, many community members anticipated First Kill following in their footsteps and attempted to save the show via viewership numbers. Prior to the release of First Kill, LGBTQ community members urged subscribers to stream the series and for Netflix to provide more promotion for the show on social media in order for it to be a hit. Related: Netflix's LGBTQ+ Rep Is Great (But We Can't Ignore The Problem) The cliffhanger finale would have opened up Savannah, Georgia to even more monsters and drama in First Kill season 2 had the show been renewed. Throughout the eight-episode arc, Juliette and Calliope not only achieve their first kills but fall in love against the wishes of their families and communities. Schwab, revolved around the Burns, a Black family of monster hunters whose youngest daughter Calliope was looking for her first kill, and the Fairmonts, a family of Legacy vampires whose youngest daughter Juliette was also looking for her first kill. Season 1 of First Kill, based on the short story of the same name by V.E.
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